![]() ![]() Not only does he sing exactly on key but he appears to sing from the very bottom of his heart. He transforms from nervous child at a talent show into timeless embodiment of longing. ![]() The first note he sings is as confident, sure, and purposeful as any adult could ever be. When the music starts, we see something else entirely. Yet he somehow finds his way back and stumbles through. It suddenly doesn’t seem right that a kid should be made to perform live in front of an entire country. It’s an alarmingly vulnerable moment, one only possible in the era of live television. Halfway through, he forgets his lines and freezes, looking back at his older brothers for help. He does a jokey spoken preamble about how kids can understand the blues, too, because he once fell in love with a girl in the sandbox, toasted their love during “milk break,” and broke up during finger painting. ![]() well, like an eleven-year-old with a decent ability to ham it up. It is one of his first times on national television. Go on YouTube and find the footage of Michael Jackson singing “ Who’s Lovin’ You” on “The Ed Sullivan Show.” He is eleven years old. maybe some of the other theatrical stuff in his shows, yes.Do me a favor. and i don't really understand how someone say that something like that is too much.:scratch:Īlso, i doubt he did it to have "cool stuff" on the scene/screen. it's probably what i admire him most for, and obviously something i feel very strongly about. if it wasn't for him, i wouldn't be the caring person that i am. it was thanks to him i opened my eyes to how the world really is, and that we all need to do our part to help heal the world. but it's just that he was the one who made me a more understanding and caring person, for people and for the world. if you don't like that, that's fine, and maybe i'm just being over sensitive here, i don't know. Michael was all about peace and love, and he did everything he could to get the message out in every way possible. it's what we all need to be reminded off, and it can't be done enough. War is what is "too much", and his message about peace and love you say is too much? it's not. I don't think it leaves room for doubt.Ĭlick to expand.how can you say it's too much? that part of the performance, had such a powerful and important message. I think the only comparison that can prove anything is one between the studio vocals and the Brunei audio, like I posted above. I am again not sure what this comparison can prove. She has also included an update in which she compares the YouTube audio with the audio she uploaded. I find it quite strange that she calls her upload 'indisputable evidence'. I am happy to upload it if someone wants it, though I would not be surprised if there is still an active link in 2000 Watts.ģ. It has been shared on MJ and bootleg forums for a very long time (pretty sure it's more than 10 years at least). In other words, the 'raspiness' is the result of the waveform distortion, not a difference between the two sources or Michael's voice being raspier than usual.Ģ. The YouTube audio actually has the same amount of clipping, but because the volume on it is lower and the bit rate a bit lower, this is less noticeable. I am almost certain that this is why she thinks she hears more 'raspiness' in her audio. However, the audio she uploaded is clipping badly (basically, the waveform is distorted because the volume was increased too much). I'm 99.9% sure both files are the exact same source actually. She says she hears differences between the YouTube audio and the audio she uploaded. This is, not coincidentally, also exactly where the studio acapella ends.ġ. In any case, there is no doubt that it is playback right until the final 'hoo', which is noticeably different from the previous 'hoo's'. I corrected for this, but did not spend much time on it, so if the two tracks go ever-so-slightly out of sync that's the reason. This is likely because of a file or tape conversion. The audio files also did not have the exact same tempo. The only difference you might hear is some additional reverb in the Brunei audio. I just EQ'ed the Brunei audio a bit so that the vocals stand out more. In any case, I made a file with the audio she uploaded panned to the left and the studio acapella (that is, the center channel from the video version on the HIStory Vol II dvd - which explains the LOUD sound effects from the video in it, lol) panned to the right. To be honest I find it rather surprising that someone could think these vocals are live. With the exception of the 'tell me what about it' ad-libs at the end (which have never been disputed and are indeed fantastic), everything is lipsynced. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |